theonewhocounted | (no subject)

The kiss to her cheek is an utter surprise. She brings up her ex and he's kissing her for it. Will he ever stop surprising her?

She huffs out a small laugh at his all too true statement.

"It really is," she agrees and catches his hand with hers, giving it a squeeze to show she does understand and to thank him for understanding too.

"Tom will always be my ex-fiance, but what I felt for him...it wasn't this."

She's not sure what makes her want to reassure him. It's probably unnecessary because she's here with him and Tom is...wherever Tom is. She doesn't really care actually. But she just wants Sherlock to know.

He can't keep the relief off his face when she takes his hand. It's startling and comforting, every time, when Molly intuits something he can't put into words himself. This is another thing, he thinks, that he's never understood about love until now--it's a colossal risk, but if you're lucky it comes with its own safety net.

And not only is the odd tightness in his chest eased by the contact and her quiet words, but the intellectual part of him lights up again with admiration. In a way, Molly's been deducing him this whole time, using the cues he gives as a way to figure out the best path forward and letting him read that she's sincere about it.

"I know," he says. (Some brief electrical connection between his heart and his brain files away part of what she says and turns it into a promise: Tom will always be her ex.)

"And--to be fair, the practice did pay off."

Molly can see that relief in him, can feel the way his body relaxes again and it hits her then that it's her, it's her touch that does that to him. It's really quite an extraordinary power, she thinks. To her it's a natural thing, to reach out and offer comfort, but she knows it's not something that Sherlock has always been willing to receive. It's just another one of those little changes that are really great big ones.

She huffs out a laugh at his statement.

"Well, if you ever bump into him, you can thank him," she jokes and then realizes that Sherlock would in fact probably do that. "But don't really do that."

Talk about awkward. And she doesn't need to hurt Tom anymore than she already had.

Then why--oh. Oh, she's joking. His face warms with a smile, more out of pure fondness for her and her brand of social clumsiness than out of actual amusement.

"Wasn't planning on it," he says, leaning against her a bit. And though he still feels just the slightest bit startled by what's just happened--an unexpected emotional hiccup catching him off-guard--she's still keeping him steady. Even when they both stumble, he's no longer quite so afraid that a stumble will turn into a headlong pitch downhill.

And, as a sort of gesture of goodwill--the kind of thing only a few people can ever coax out of Sherlock--he picks up his fork again with the hand not holding Molly's, and forks himself up another bite of the nutella-and-strawberries crepe he was partway through.

Molly smiles back in return, immediately feeling better.

"Well, one never knows what will come out your mouth," she teases. "Not that I plan on running into him.

But she did meet him through friends so their social circles do overlap a bit. It's not out of the realm of possibility down the line.

Molly is pleased to see him start eating again. Always a good sign that someone is alright - food intake. She goes back to her own breakfast when her cell phone chirps with a text message. Looking around, she realizes she has no idea where it is. It's only when it goes off a second time that she spots her clutch on the floor of the living room.

"Excuse me," she says as she lets go of his hand and goes to check the phone. What she sees first is a message from Mina that has a lot of exclamation points and question marks and not many words.

SHERLOCK HOLMES?!?!?!?!?!?!

Molly is confused at how Mina could have found out already. She hasn't told anyone and Mina doesn't know John and she certainly doesn't know Mycroft.

Then she sees the text message and photo from her co-worker that came in in the middle of the night and she groans.

"Bollocks."

Having a bite of the more familiar crepe calms him further in her absence--and he finds himself hoping she'll like it, when she gets back from retrieving her phone.

Except then she actually locates the forgotten clutch, and he hears that quiet, dismayed exclamation. Sherlock frowns and leans back in his seat, craning his neck to see if he can catch a glimpse of her expression.

"Bollocks to what? Someone call out at the morgue?"

Abruptly he realizes his own phone is still on silent--he never turned Do Not Disturb mode off after the performance began. He stuffs a bite of the lime-and-sugar crepe in his mouth before pushing to his feet so he can grab his mobile from his coat pocket.

"Someone took a photo of us last night," she says with a sigh as she makes her way back to the kitchen, still looking at the screenshot of the photo on Tatler that Sophie sent her. They do look like a handsome couple, she must admit. Not that it makes her feel much better about having her picture there. She resolves not to visit the site itself because the comment section is bound to depress her.

Sherlock passes her and she wonders where he's going until she realizes he probably wants to check his phone too.

"It's already on the gossip sites. Or well, at least one. Your favourite."

(There's a single comment on the page that Sherlock won't find until much later, and that's only because it catches John's eye and he takes a screenshot of it:

Fair play, Mr Holmes. She's a stunner, and she definitely likes you more than I do.)

He blinks at her for a second before grabbing his phone out of his pocket. The first text alert he's got is from John--Didn't I say something like "don't let me see you on the news" last night? Pretty sure I did.--and the second draws a dismayed little noise from him.

To: Sherlock
From: Mummy

Call me straight away and tell me everything about her!!!

"Bollocks," he echoes. Funnily enough, while being able to show her off was one of the highlights of the evening (at least the part of the evening that happened in public), he realizes he hadn't considered there might be uncomfortable repercussions for him and for Molly.

Edited 2017-03-09 01:06 (UTC)

"Mm," she agrees as she sits back in her chair. Another round of text messages from Mina comes in.

To: Molly
From: Mina

10:01AM Don't tell me it was just for a case. You looked way too cozy.

10:05AM You're with him right now aren't you? OMG you are!

10:05 AM I'm so happy for you Molls! Call me as soon as you can!

Molly lets out a sigh and silences her phone.

"Who've you got?" she asks him. Luckily, Molly's mum lives far enough from London and doesn't enjoy the gossip rags so she'll have some time before she needs to make that phone call. She's not really looking forward to it. They have a strained relationship and her mother always manages to say something discouraging about everything.

"My mother." He decides he's not even going to bother with his email or the rest of his texts right now and just... slips the phone back into his coat pocket. For once he's lost all desire to have it close by to fidget with. He follows her back into the kitchen to attack his plate of crepes again. "She's harmless, just... excited. Though I'd rather have told her myself."

It could be worse, though, he thinks. If there's a photo of them on the internet from the premiere, it's most likely of nothing more intimate than the two of them holding hands. So really, even if his brother disapproves and John is exasperated, he can honestly point out that he hasn't got anything to be embarrassed of. And Molly did look bloody fantastic last night.

"Oh," she says and is suddenly struck by the fear that maybe he wouldn't want his mum and dad to know about her at all. She's not posh or a genius. She comes from a lower middle class family. Her job is...not really something to talk about in polite company. She's not very polished in her manner of dress or how she presents herself. She didn't go to public school or to uni at a place like Oxford.

These worries fly through her head as she watches him sit next to her and continue eating like he's not worried. She takes a sip of her coffee and tries to swallow down her fears with it.

"Were you going to tell her? I mean, eventually."

Her voice is quiet but questioning and she pokes at her crepes to do something other than look at him. She can't help but ask. Molly's always been a little bit insecure but Sherlock has always heightened those feelings because he's so...everything.

Edited 2017-03-09 01:45 (UTC)

He glances over at her, and for the first time he sees that insecurity not just as a factual conclusion of his deductions but as something that's negatively affecting someone he cares for.

And he finds he really wants to make an effort. Sherlock sincerely wants her to know, and to believe, that he doesn't want to hurt her any further than he already has.

"John and I are estimating that the cleanup at Baker Street will take another two to three months. I thought that would be a good timetable to--get used to things, before I introduced you to my parents." A pause for breath, and then--because he's Sherlock, and there's always that one more thing that falls out of him before he can stop it-- "Dad used to be a barrister. Mum's the genius, though. Quit teaching maths when she got married, but she's kept publishing, and she taught me everything I know about practical geometry."

It's not until he starts talking about months that she looks up at him. He's actually been thinking this out. Although, he's Sherlock, what doesn't he think out? But he's been thinking out their relationship and not just in terms of ballet dates, but in terms of months spent getting comfortable with each other and this and his parents.

"Guess we sort of mucked up that plan last night," she says with a tiny smile that's a bit apologetic. For her, being seen in the company of Sherlock Holmes ups her social status by a huge margin. She doesn't do much for his, she's afraid. Not that she thinks he cares anyway. But she does feel bad that his mum found out that way and not from Sherlock in his own time.

"I look forward to meet them...whenever that is."

"Well, thankfully they're in America for another two weeks, so I've got you to myself until then." His own smile is just as small and uncertain. "Dad will flirt with you and tell embarrassing stories about what I got up to as a boy, and Mum will probably encourage him and ask a thousand questions about what you do to help out on case work."

Sometimes, he has to admit, he's a bit embarrassed by all the fuss people make about what he views as a minor and arbitrary difference in circumstances. He grew up upper-middle-class, raised by a pair of friendly eccentrics. Yes, his brother runs the government, but it's not as if they're next in line for the throne. Or if there's any distant relation anywhere far back, they'd have to kill about a thousand people to be anywhere near in the running for a position neither of them wants anyway.

Molly smiles back and feels a bit more sure of herself.

"Yeah? They sound a lot like all other parents," she says, which is comforting and surprising. She kind of wonders where Sherlock and Mycroft came from then if his parents are as normal as he describes. She imagines they aren't really. There is probably a lot more to them than that.

"My mum is a retired school teacher."

She thinks she should probably offer up some information about her family. It doesn't seem fair that she keep it to herself.

"She's...well, difficult I guess I might say. We're not very close."

Molly doesn't really like talking about her mum. It feels wrong to not be close with your own mother. It makes her feel like a bad daughter.

"So, not a science teacher, then."

It's out before he can stop it. For a startled second he just watches her face, trying to determine whether he ought to apologize. On the one hand, the way she talks about her mum indicates she probably wants and needs a sympathetic ally, but on the other hand he's not sure how rude it is to casually (albeit mildly) insult the mother of your first and hopefully only partner.

Edited 2017-03-09 03:14 (UTC)

"Oh, um, no, English actually," Molly says, the insult going past her without registering. "She was...is a poet, but that doesn't really pay the bills."

Or at least not for her mother it didn't. Molly never took to poetry herself so she can't much judge her mother's talents, but she always acted like she was just waiting to be discovered by some rich publisher. It was a fantasy that she always talked about but never seemed to do the work that would be needed to actually have it come true. She was a dreamer and Molly thought her mother was magical until she got to an age where she could realize that's all she was. And if your world and your own dreams didn't revolve around hers then they were stupid or wrong or unnecessary.

Oh. Thank God he's off the hook for now. And maybe if intercourse after breakfast is still on the table (so to speak) he can use that as an opportunity to further make up for this awkwardness.

Though already he doesn't feel very charitably towards Molly's mother, as something tells him she hasn't written much poetry about or for her daughter.

But right now, right this moment, Molly's mother is God-knows-where and Molly herself is right here.

This time he takes her hand, thumb brushing over the backs of her knuckles.

"I'm aware it might be rude to ask if you'd rather talk about something else, but it seems disingenuous to pretend you aren't uncomfortable, and--this has all been really good so far."

"It's not rude," she assures him as she curls her fingers around his and feels better already. "And you're not wrong. I would rather talk about something else. Thank you for noticing."

She gives him a small smile.

"We can save my mum for another time, when we don't have crepes getting cold. And maybe when there's alcohol involved. All you really need to know is she's a narcissist and I've spent loads on therapy."

There's a self-deprecating smile there. She has learned to have a sense of humour about her mum. Her dad always did, so that helped. She misses him. She thinks he'd really get on with Sherlock.

Something about that word narcissist registers like a pinprick under his skin, brief but unpleasant. He's been called that before--though by other people who knew him far less well than she does, to be fair--and he can see that it hurts her, having to apply it to someone who should love her unconditionally.

This is, he realizes suddenly, a lot like bringing back souvenirs: people need to be shown that you think of them when they aren't immediately in front of you, and they need to be shown that you think of them as being part of your life.

"You can borrow mine, then." He squeezes her hand. "Once every three months, whether I need it or not, she gives me some sort of lecture about women in STEM. She'll probably invite you to Christmas once she finds out what you do at Bart's."

Edited (phrasing) 2017-03-09 21:30 (UTC)

It's true that Sherlock has some narcissistic personality traits. They've gotten better over the years though and she doesn't think he's a true narcissist, not in the way her mother is. Not to say she hasn't explored her relationship with Sherlock in therapy sessions - her therapist worried that her interest in him as an unhealthy mirror of her mother in the way that abused children often end up in abusive relationships as adults.

She is certain that her previous willingness to constantly bend to his whims was a direct output of being raised by a narcissistic parent. But therapy has helped her with that. Learning to say no and to stand up for herself and to not feel guilty over things has been a huge step in escaping her mother and clearly it has paid off in her other relationships as well.

"That's very sweet," she says of his offer to share his mum. And it really is. "It sounds like we'll get on quite well."

She smiles but thinks about how her mum hated Molly's choice to go into pathology. Being a doctor would have been fine (not her mum's first choice, but at least an important job), but cutting open dead people was not respectable or fit for a daughter of hers.

Giving his hand a squeeze back, she banishes thoughts of her mother and goes back to her crepes. In spite of their conversation, she's still hungry. And it's still early in the year and in this relationship, but the idea of a Holmes family Christmas brightens her mood as well.

It has paid off, possibly in a bigger way than she can know--the more willing she's been to put down her foot, the more brave she's been about making him aware that he's being oblivious or hurtful, the more he's come to respect her and value the place she has in his life. And with respect has come trust, and then the slow fall that he'd thought would shatter him but has instead opened up a part of him he's still astonished even exists, and now he's sitting at her kitchen counter minus his virginity and happier than he's been in god only knows how long.

Sherlock can see her make an effort to push the topic to the back of her mind, when she goes back to her crepes, and he decides to follow her lead. The thought flashes across his mind, briefly, that even though Christmas is pretty much agony every year, it might not be so bad with Molly around.

But he'll definitely need to deal with that later, too. Breakfast is good, and the two of them just chatting about stuff is good.

He lets go of her hand to attack his own crepes again.

"Mm--you adapted this recipe from something I've had before. Not Julia Child's, she uses orange juice. Can't put my finger on it, though."

"It's my dad's recipe," she says as she cuts a forkful of sugar and lime crepe off. "They were his favorite to make on Sunday mornings. I don't know what he adapted the recipe from though."

The bite of crepe makes it into her mouth and she immediately looks pleased.

"Oh. Your grandma's combination is nice. I like it."

She doesn't know why but there's something really nice about blending her dad's crepes with his grandmum's condiments.

"Thank you. And it goes well with your dad's batter. So."

He's not-so-secretly pleased that he's offering her something both unusual and personal and she genuinely likes it. He did that with the fishdive, and the night at the ballet, and now his grandmother's style of crepes, and every time she's met him with warmth and delighted surprise.

It's never been easy for him to share so much of himself with someone. But the more he shares with Molly, the more he finds he wants to tell her, as if he could open windows into his mind palace and let her look in.

"Crepes on Sundays, Dr. Mario, and fishing," he muses. "Based on what I know about you I wouldn't have guessed."

"You read my mind," she says and smiles before taking another bite of crepe. "In the good way."

Not in the "deducing your darkest secrets in front of everyone" way.

And then he even admits to not being able to deduce her, which is another surprise.

"Well, that's probably because Sherlock Holmes never guesses."

She bumps his shoulder with her's playfully and smiles, echoing a statement he'd made about himself long ago when someone had implied he'd made a lucky guess about something or other.

"But I'm glad I can keep you guessing anyway. And you know I'm pretty much an open book so you can always just ask whatever you like to know."